Why? Because he serves no real plot purpose in the latter movie. Yoda makes a massive impression in The Empire Strikes Back, but he barely registers in The Return of the Jedi. But if you’re adding new players, it won’t take long for a cast to become unwieldy. Yes, readers and viewers are drawn to a sequel because of the characters. Don't be afraid to let beloved characters go. Because almost all the characters until that point had been teenagers or 20-somethings, she couldn’t help but shake things up. In The Thing I Didn’t Know I Didn’t Know, another sequel to Geography Club, I created Vernie Rose: a very confident, very opinionated 72-year-old woman. It almost guarantees that the story will feel more fresh. Try to make this character as different from your main hero as possible. Set out to include at least one very memorable new major character: someone unlike any of the characters we’ve met before.
Include at least one great new character.
Once again, things that might have seemed predictable become defiantly not so.ĥ. Even more interesting, the Terminator is now Sarah’s ally against the nefarious T-1000. But in Terminator 2: Judgment Day, Sarah is completely transformed-now a battle-ready warrior as a result of her experiences in the first movie.
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When we first meet Sarah Connor and the Terminator in The Terminator, she’s a carefree young woman and he’s the relentless android out to destroy her. So, of course, everyone (including Ripley) expects that the android in Aliens is also going to be a villain … until he turns out to be the hero. If you can get past the intimidation that comes with it, that’s a fantastic opportunity for the writer, who can confound those expectations. People come to sequels of beloved works with loads of baggage-specifically, expectations.
( Tips on Writing a Sequel (When You Didn't Plan to Write a Sequel)) 4. The Hobbit is the story of a character discovering an unforeseen capacity within himself, but The Lord of the Rings is about another character realizing no one can succeed alone. Tolkien is massively expanding his scope to include the fate of all of Middle-Earth, he is also moving his focus closer, zeroing in on the intimate relationship between Frodo and Sam. But even here, at the same time author J.R.R. The Godfather Part II, for example, continues to tell the story of Michael Corleone’s descent from family man to cold-hearted monster, but it also dares to go backward in time to tell the story of Vito Corleone, making him a case study for the darker side of American capitalism.Īnd sometimes “bigger is better” does work, as in The Hobbit’s sequel, The Lord of the Rings (originally written as a single volume).
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